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Showing 1 - 12 of 12 matches in All Departments
Debates about the digital media economy are at the heart of media and communication studies. An increasingly digitalised and datafied media environment has implications for every aspect of the field, from ownership and production, to distribution and consumption. The SAGE Handbook of the Digital Media Economy offers students, researchers and policy-makers a multidisciplinary overview of contemporary scholarship relating to the intersection of the digital economy and the media, cultural, and creative industries. It provides an overview of the major areas of debate, and conceptual and methodological frameworks, through chapters written by leading scholars from a range of disciplinary perspective. PART 1: Key Concepts PART 2: Methodological Approaches PART 3: Media Industries of the Digital Economy PART 4: Geographies of the Digital Economy PART 5: Law, Governance and Policy
As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture.
As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture.
"Media Industries: History, Theory and Method" is among the first
texts to explore the evolving field of media industry studies and
offer an innovative blueprint for future study and analysis.
"Media Industries: History, Theory and Method" is among the first
texts to explore the evolving field of media industry studies and
offer an innovative blueprint for future study and analysis.
"Distribution Revolution" is a collection of interviews with
leading film and TV professionals concerning the many ways that
digital delivery systems are transforming the entertainment
business. These interviews provide lively insider accounts from
studio executives, distribution professionals, and creative talent
of the tumultuous transformation of film and TV in the digital era.
The first section features interviews with top executives at major
Hollywood studios, providing a window into the big-picture concerns
of media conglomerates with respect to changing business models,
revenue streams, and audience behaviors. The second focuses on
innovative enterprises that are providing path-breaking models for
new modes of content creation, curation, and
distribution--creatively meshing the strategies and practices of
Hollywood and Silicon Valley. And the final section offers insights
from creative talent whose professional practices, compensation,
and everyday working conditions have been transformed over the past
ten years. Taken together, these interviews demonstrate that
virtually every aspect of the film and television businesses is
being affected by the digital distribution revolution, a revolution
that has likely just begun.
Empires of Entertainment integrates legal, regulatory, industrial, and political histories to chronicle the dramatic transformation within the media industries between 1980 and 1996. As film, broadcast, and cable grew from fundamentally separate industries to interconnected, synergistic components of global media conglomerates, the concepts of vertical and horizontal integration were redesigned. The parameters and boundaries of market concentration, consolidation, and government scrutiny began to shift as America's politics changed under the Reagan administration. Through the use of case studies that highlight key moments in this transformation, Jennifer Holt explores the politics of deregulation, the reinterpretation of antitrust law, and lasting modifications in the media landscape. Holt skillfully expands the conventional models and boundaries of media history. A fundamental part of her argument is that these media industries have been intertwined for decades and, as such, cannot be considered separately. Instead, film, cable and broadcast must be understood in relation to one another, as critical components of a common history. Empires of Entertainment is a unique account of deregulation and its impact on political economy, industrial strategies, and media culture at the end of the twentieth century.
The contributors to Signal Traffic investigate how the material artifacts of media infrastructure--transoceanic cables, mobile telephone towers, Internet data centers, and the like--intersect with everyday life. Essayists confront the multiple and hybrid forms networks take, the different ways networks are imagined and engaged with by publics around the world, their local effects, and what human beings experience when a network fails. Some contributors explore the physical objects and industrial relations that make up an infrastructure. Others venture into the marginalized communities orphaned from the knowledge economies, technological literacies, and epistemological questions linked to infrastructural formation and use. The wide-ranging insights delineate the oft-ignored contrasts between industrialized and developing regions, rich and poor areas, and urban and rural settings, bringing technological differences into focus. Contributors include Charles R. Acland, Paul Dourish, Sarah Harris, Jennifer Holt and Patrick Vonderau, Shannon Mattern, Toby Miller, Lisa Parks, Christian Sandvig, Nicole Starosielski, Jonathan Sterne, and Helga Tawil-Souri.
"Distribution Revolution" is a collection of interviews with
leading film and TV professionals concerning the many ways that
digital delivery systems are transforming the entertainment
business. These interviews provide lively insider accounts from
studio executives, distribution professionals, and creative talent
of the tumultuous transformation of film and TV in the digital era.
The first section features interviews with top executives at major
Hollywood studios, providing a window into the big-picture concerns
of media conglomerates with respect to changing business models,
revenue streams, and audience behaviors. The second focuses on
innovative enterprises that are providing path-breaking models for
new modes of content creation, curation, and
distribution--creatively meshing the strategies and practices of
Hollywood and Silicon Valley. And the final section offers insights
from creative talent whose professional practices, compensation,
and everyday working conditions have been transformed over the past
ten years. Taken together, these interviews demonstrate that
virtually every aspect of the film and television businesses is
being affected by the digital distribution revolution, a revolution
that has likely just begun.
Empires of Entertainment integrates legal, regulatory, industrial, and political histories to chronicle the dramatic transformation within the media industries between 1980 and 1996. As film, broadcast, and cable grew from fundamentally separate industries to interconnected, synergistic components of global media conglomerates, the concepts of vertical and horizontal integration were redesigned. The parameters and boundaries of market concentration, consolidation, and government scrutiny began to shift as America's politics changed under the Reagan administration. Through the use of case studies that highlight key moments in this transformation, Jennifer Holt explores the politics of deregulation, the reinterpretation of antitrust law, and lasting modifications in the media landscape. Holt skillfully expands the conventional models and boundaries of media history. A fundamental part of her argument is that these media industries have been intertwined for decades and, as such, cannot be considered separately. Instead, film, cable and broadcast must be understood in relation to one another, as critical components of a common history. Empires of Entertainment is a unique account of deregulation and its impact on political economy, industrial strategies, and media culture at the end of the twentieth century.
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